randian | 燃点

“Here’s Looking at You” takes as its subject the self in photographs as a vehicle for examining the diverse ways in which people choose to be photographed, and how the ways in which we see ourselves have (or haven’t) changed from the 1980s to today. >> Read more

With an audio installation, a series of glass sculptures, and a six-channel video installation, Christopher K. Ho’s most recent exhibition “Grown Up Art” proposed a call for pragmatic responsibility. >> Read more

As Seen is not a simple compilation artist book. It’s about artworks, about looking at artworks in public spaces. It’s about what art does, or about what an encounter with art can be when that art is good. So it’s about how one defines what work is good: about who gets to decide and why. >> Read more

In what marks the resolution of an historic episode, some 12,000 Tibetan-language books have been returned to China.
 
 
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Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more

A prize is always as much about the giver as the receiver. This year’s inaugural Sigg Prize, successor to the esteemed Chinese Contemporary Art Award (CCAA), was as much about M+ as it was about the winner, Hong Kong’s own Samson Yung. >> Read more

This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> Read more

Simon Lee Gallery, Hong Kong, is pleased to announce the first solo exhibition in Asia by Los Angeles-based artist Channing Hansen. In Pattern Recognition Hansen presents a new series of his signature hand-knitted textile-based works, which bring together craft and computation to explore theories related to the intersection of art, science and technology. >> Read more

Simon Lee Gallery, Hong Kong, is pleased to announce the first solo exhibition in Asia by Los Angeles-based artist Channing Hansen. In Pattern Recognition Hansen presents a new series of his signature hand-knitted textile-based works, which bring together craft and computation to explore theories related to the intersection of art, science and technology. >> Read more

Mai 36 Galerie and Ota Fine Arts Shanghai are delighted to present Ethereal Machines, a dual exhibition that brings together Chinese artist Zang Kunkun and Singapore artist Guo-Liang Tan. >> Read more